Buffalo

Robbery Club – “Never Better”

Robbery Club can add breaking and entering (and probably trespassing) to their list of crimes – the evidence is clear in their new video for single “Never Better.” In the video, the sharply-dressed band plays a squiggly, Joyce-Manor-meets-Weezer brand of indie punk on some random Buffalo rooftop. Crunchy guitars and melodies aplenty, the song isn’t so much a departure for them – moreso an evolution. Lyrics like “I’m not a child anymore” and “everything is okay” offset the more angsty material from their past, with just enough vagueness to keep you guessing on whether they’re tongue-in-cheek. The visual motifs in the video are cheeky, but cool – keep your eyes peeled for an omnipresent smiley balloon, cowboy hats, and… chickens?   Check out the music video for “Never Better” embedded below. While you’re at it, check out our previous features of Robbery Club here and here.    

The Burkharts – “Please Don’t Wake Me Up”

The Burkharts have done it again – another retro-inspired, beach-pop jam they’re calling “Please Don’t Wake Me Up.” As always, the band’s image (and imagery) is on point – superimposing images of lighthouses and the ocean over their finely-tuned, red button down aesthetic. The band themselves appear comfy and cozy in a bedroom, adorned with wood paneling and bold colors, not unlike something you’d see in one of those legendary JC Penney photoshoots from the ’80s. Juicy harmonies, jangly guitars, and a 3:4 time signature help to give this one a slow dance vibe – Fans of The Beach Boys, Real Estate, and Best Coast’s lighter fare are in for a treat on this pretty little waltz.   Check out the video embed for “Please Don’t Wake Me Up” below, or, stream it on Spotify.    

JIRI – “ClockWork”

Raleigh-based emcee JIRI emphasizes substance and skill with each of his releases. In his latest track, “ClockWork, ” JIRI makes it clear he’s a different cat. It has all the markings of a single – earworm beat with a tasty looping melody, rapidly evolving sing-songy flows and a chorus that can get stuck in your head on initial listens. JIRI sets himself apart with the skillful storytelling he’s able to weave into a song this accessible. “ClockWork’s” narrative tells the story of a lady who falls for JIRI’s inevitable charm — or does she have different, more sinister intentions? A couple expertly placed lines take this from a typical braggadocious track into one that subverts your expectations. Give it a spin. Check out more from JIRI on Spotify – while you’re there, take our Best of 2026 playlist for a spin. You’ll see JIRI and other talented rising rappers on[...]

Romcom Victims – “Alaska”

Are there any bugs in Alaska? Is that a dumb question? Because Romcom Victims are buzzing hard, and their latest single, “Alaska,” is indication why. The band’s been an unstoppable force in the last year or so, putting out jangly college rock vibes that make use of twinkly guitars, lilting vocals, and blistering paces. “Alaska” seems like a step forward for the group – excellent production values certainly help, but the song itself is a neurotic listen through jangle-pop bliss. The bass guitar is thumping, the guitars are plucky and spry (thanks Rickenbacker), and the tempo is fast enough to make this a must-hear on your next trip to Milkie’s or Nietzsche’s. The video itself is a good time too – music videos are notoriously tricky, but the live performance captured is all-smiles and on point, while a CRT tv provides just enough vintage charm to keep it cool and[...]

Mother Nature’s Son – “Angel Attack”

Buffalo’s Mother Nature’s Son has just shared a new single, “Angel Attack,” from their upcoming album, The Seven People You Meet In Heaven. Taking queues from sardonic-but-literate emo/pop-punk acts like Say Anything, Motion City Soundtrack, and Ludo before them, “Angel Attack” threads the needle between sneering and smiling – pairing squiggly keyboard tones and crunchy guitars with lyrics that touch on demons, ego death, and being kissed suddenly on the cheek. Musically, the song’s synth-smooched approach gives it a uniquely airy mouthfeel – and the slightly-swung, guitar-driven backbone culminates in a cool, phaser-laden solo. At any rate, MNS knows how to craft a catchy hook, and if “Angel Attack” is any indication, The Seven People You Meet In Heaven is going to be full of inescapable melodies.   Check out “Angel Attack” via the YouTube embed below. Other ways to stream/support can be found here.    

Lesser Birds – “Buffalo”

“Buffalo” is an oddly specific name for a song, is someone trying to curry favor with us?! Evidently not, but Lesser Birds has roots here as two members are University at Buffalo alums. You can argue for or against Boston being an upgrade, but I won’t wade into that; ask me about my khakis or my car keys but not both.   Aficionados of post-punk will appreciate the various smatterings of sounds that pop up (including some brassy sounding instruments). The track warps and shifts around and adopts a prog-ish experimental vibe – although, where post-punk ends and prog rock begins, who can say? Speaking to the track the band had this to say:   “Buffalo is a meditation on change, loss, and the quiet pull of home. The song captures the tension between nostalgia and escape, the reluctance of chasing a new life while still haunted by where you[...]

Fourmile – Fourmile

It’s amazing that, as musicians, we can collaborate across literal oceans. That’s exactly what Fourmile did – a collaboration between Buffalo’s Dylan England (of Del Paxton * fame), and a group of London-based musicians (Owain, Cais, Hank, and Tom) that boast a pedigree of other great bands including TTNG, Harlem Renaissance, Big Hug, and Muttering. Their efforts have resulted in a three-song EP, Fourmile, that continues England & co.’s penchant for guitar-driven Midwest emo sounds. Having initially connected when Del P did a European tour, the members have stayed in touch – lucky for us, it’s resulted in new music.   If the album art to Fourmile is any indication – a patchwork of carpets strewn with some guitar pedals (very nice ones, I might add), cables, and Fender Telecasters – this is a guitar-forward offering, layered thick with lots of tasty textures, twinkles, and any other relevant buzzword typically given to[...]

New Words – “Meteor”

Last time we checked in with New Words, we were psyched on the big hooks and emo energy of single “Gave You More.” Project mastermind Benny Scheibel is back and has doubled down on the emo energy, this time with a track called “Meteor.” Fans of Listener or La Dispute will appreciate the passionate sprechgesang that kicks this one off, before a chunky, guitar-driven chorus brings everything home a la The Early November or Knuckle Puck. It’s clear Scheibel loves the art of “emo,” in it’s many forms/waves – get sucked in by the emotional catharsis and stick around for the phat hooks.   “Meteor” is available via Spotify – see below.  

halfstride – “Reading With The Lights Off”

Halfstride is a newly-minted Buffalo-based band that specialize in indie rock sounds that go down ultra-smooth. Their latest single, “Reading With the Lights Off” is about “late nights, quiet thoughts, and the moments that linger after the noise fades.” A ringing, rhythmic ride cymbal sets the scene for a chuggy, palm muted guitar backbone and an impressively nimble bassline. Astute readers of the blog may recognize former members of Ponder (the Giraffe) in this act, so expect a little bit of funkiness to this otherwise pleasantly straightforward rocker.   Check out the music video for “Reading With the Lights Off” embedded below.    

West Ferry – Watching the World Run By

West Ferry have been not-so-quietly building an oeuvre of passionate, emo-tinged indie punk for 15 years. They’re back with another three-song EP, Watching the World Run By, which finds the band pushing their sound even further, playing around with Midwest emo riffing, folk-tinged punk, and raw emotive passion.   Opening track “Ralph” is as Midwest as it comes – a twinkling guitar riff is the star of the show here, setting the scene for hard-hitting lyrics. Lines like “I’m gonna break every rule so you react / gonna count down every minute till you get back / gonna act like I don’t hear you call my name / gonna clean your plate, gonna keep you SAFE!” are spit out with defiance and a voice-breaking intensity – reminiscent of Conor Oberst’s Bright Eyes, but a bit more aligned with the high-intensity punk of Desaparecidos. Keep your ears peeled around the 2:10[...]

The Burkharts – “Tell Me”

Buffalo’s surf-pop loyalists The Burkharts are back in the spotlight with a new single, “Tell Me,” serving up another dose of their 60’s-soaked California style rock and roll. The single, their first new release since 2024, comes hand-in-hand with an official music video that nods blatantly (but charmingly) to the freewheeling antics of The Monkees TV show.    In the video, the boys tee up a series of lighthearted shenanigans as they race through several notable WNY filming locations, all soundtracked by their signature retro jangle and stacked vocal harmonies. Seems we won’t have to wait long for more new music either, as the single is the “first of many to come soon” according to the band’s Instagram.   “Tell Me” is streaming now on all major platforms; check out the music video below.    

Science Man – “Monarch Joy – Pt. 3 (The Laughing Hour)”

Buffalo hardcore punk act Science Man are capping off their ultra-busy and ultra-noisy 2025 with the visual release of “Monarch Joy – Pt. 3 (The Laughing Hour),” the final installment of their Monarch Joy album-accompanying short film series.   Featuring the songs “Puzzle Hoax,” “Lesser Species” and “The Laughing Hour,” the latest short soundtracks the conclusion of the abstract journey of our unnamed protagonist as they navigate a dark fantasy world inhabited with unexpected friends and dangerous foes.   Directors Lindsay Tripp and Science Man frontman John Toohill bring their Terry Gilliam-inspired vision to life using an impressive DIY combo of homemade costumes, papier-mâché masks, green screen, and stop-motion. Their art direction continues to stand out as unique and singular; building upon a surreal collage of landscapes and characters scrapbooked together with mismatched paper cut-outs and clippings, similar to the cover art of the Blood Brothers classic …Burn, Piano Island,[...]

New Words – “Gave You More”

Buffalo-based New Words is led by vocalist Benny Scheibel – they’re here with the ’00s-inspired bombast of new single, “Gave You More.” With the energies of Jimmy Eat World and a hint of All-American Rejects, “Gave You More” is built around a super catchy guitar rhythm and a rolling drumbeat. Scheibel’s vocals are proud and powerful, complimented perfectly by the thundering basslines found here. This one was tailor-made for anyone processing a breakup – so, especially if you’re feeling heartbroken, let the anthemic vibes run through your bones and be prepared to be humming this one the rest of the week.   “Gave You More” is available on Spotify, too.  

Super Flea – Demo

It would be safe to assume we’re writing a nostalgia piece about the popular, Cheektowagan market that closed in 2014 and was revitalized in 2022… But no, we’re talking about a new emo/pop punk crew that have named themselves Super Flea. Cooper Taylor and John Carr (of Autoignition, Speed Dial, and other projects) teamed up with Milo Duhn to come out swinging with a three-song EP, simply called Demo… With a few friendly faces in tow. Expect fantastic drumming from Del Paxton’s Greg McClure and the tried-and-true Jay Zubricky/GCR Studios treatment, who both suit this project perfectly.   If their pedigree tells us anything, Taylor/Carr are becoming masters of pop-punk songwriting. Opening track, “86,” is a great place to start – blistering drums from McClure lay the groundwork for Taylor/Carr explosiveness. Fans of Knuckle Puck, Neck Deep, and The Story So Far will enjoy the bratty, gravel-voiced vocals and sharp[...]

Lower Pony – Bluette

If you’re at all familiar with Buffalo’s music scene, you already know the guys in Lower Pony. Ray Fulton, Dave Calos, and Ryan Besch have been in and out of Harvest Sum bands for years, and they recently tapped Passed Out frontman Andy Pothier (another recent Harvest Sum inductee) on drums. So their first proper 7-inch, Bluette, isn’t really a debut, it’s more of a “hello again.” After a years-long stream of demos, these four tracks finally put the band’s sound on wax: lo-fi, 90s-indebted slacker rock. It’s a refreshingly traditional guitar/guitar/bass/drums formula that leans on good, honest songs, not studio tricks, pulling hard from influences like Dinosaur Jr. and Sebadoh.   The EP starts fast with the single, “Bluette,” a 59-second sprint that’s all tangled guitars and resigned lyrics (“if you feel this way / there’s not much I can say”). It’s as jagged as it is engaging and[...]